Fountain pen ink colours
regarding writing we are able to be instead particular in regards to the ink we utilize together with color is an integral section of this. Perhaps you fancy a bright blue. Maybe you need black for work plus it has to be really black colored, perhaps not some wishy washy grey.
Fountain pen inks are available in such a selection of tints together with producers generally identify all of them with non-descript titles that provide no indicator of just what you’re actually getting.
We at Pen Heaven decided sufficient was enough. So our ink colour contrast was born. We’ve compared the biggest brand name ink in blue, black-and-blue black and offered our truthful (and also at times intense) viewpoints associated with inks.
The comparison was done utilizing a No.5 paintbrush and a Lamy Studio (moderate nib) on 85gsm white paper.
At first glance, there’s one obvious flaw here. That Parker’s ‘Black’ ink just isn't black colored. The Parker ink dried to a dusky brown which had a distinctly yellow tinge.
After dismissing Parker from the operating, we need to attempt just a little harder to find out what’s hot and what’s perhaps not. Waterman’s ‘Intense Black’ had been half right. Absolutely intense. Not so much black, with the deep blue hints when you look at the aspects of even more saturation. The Waterman black scored most readily useful on our report bleed test.
Platinum’s black has a pleasant black colour, but feels just a little watery to use and appearance washed out when compared to rest.
Cross, Lamy and Sheaffer had been all much the same within their colour, but we think that Cross only won from being the blackest, specially when making use of the fountain pen. But Cross suffered inside bleed test, creating some feathering in areas.
Sheaffer Ebony Ink
For sale in and .
The Sheaffer had a shiny finish that made this ink a cut that beats all others. It absolutely was free flowing and pleasing to write with. The colour had been solid with little bleeding.
When looking for a blue, we were truly wanting one thing along the Royal Blue lines. A bright mid blue, suitable for every type for writing. Right here we discovered a problem with Platinum’s light blue. Although a bright, light blue that has been great to write with and looks great, it’s nearly the right shade. We’d certainly call this one Cyan, but it’s the best platinum have to give you because they don’t do a regular ‘blue’.
Yet again Cross supplied an ink that dried nearly immediately on experience of the paper, creating a layered impact with overlapping brush shots; but once again Cross had been unhappy by the bleed. Larger splotches of Cross ink bleed patches through the paper, plus the writing seems feathered.
Waterman’s supplying ‘Serenity Blue’ ended up being the darkest in colour together with the perfect strength, that worked well for both calligraphy and writing.
Parker offer up a washable azure. Designed to easily wash-out of epidermis, clothing and fabrics (as all water feature pen people understand how a lot of a pain ink stains may be). This particular aspect does mean that the colour itself is lacking in pigment though, with a washed out aim to the ‘washable blue’.
Lamy and Sheaffer score highly in our colour examination. Both possess hue desirable for a regular water feature pen blue. Both tend to be radiant and high in color, although Sheaffer does not have some solidity and seems patchy in bigger places. Sheaffer’s blue ink also bleeds considerably, coming 5th out of six.
Lamy Blue Ink
Obtainable in and container (at this time unavailable from Pen Heaven).
Lamy’s brilliant blue colour had been a real winner in our eyes. The ink colour didn’t fade too much after drying and had been excellent to publish with.
Blue-black is a fascinating color. It provides the dark, severe colors needed for a specialist environment, minus the dour, unforgiving harshness of black colored.
Out of our six companies, just five supplied a blue-black alternative.
Almost all of the inks had been tinged by green hues to different levels, steering along with away from blue-black towards deep turquoise colours, specially when layered. Parker and Waterman would be the most apparent samples of this, and whilst both gorgeous tints, they fall short of these blue-black name whenever utilized for calligraphy. Sheaffer, whilst darker, also suffered from this problem. In smaller places all three were nearer to the mark, but still not blue-black.
Lamy had been effective in producing more certainly blue-black in color, nevertheless ink bled quite a bit and seemed speckled whenever employed for both writing and calligraphy.
Platinum’s solid appearance and midnight blue color gave us goose-bumps. It had been precisely what we'd already been looking. The ink layered nicely and provided diverse effects when using the brush. The colour was vibrant adequate to stand out, but really serious adequate for workplace.
*(This includes bleeding shown on both sides of the paper)