Whenever two factors tend to be contrary, as black-and-white, tall and short, huge and tiny, remaining and correct, to mention several, there was an unavoidable conflict of “sides”. A constant, obvious separation that do make us select one side or even the various other.
Opposites in addition occur in Art: Impressionism and Surrealism, Baroque and Minimalist, Harmonic and Dissonant, etc. Calligraphy is no exemption.
So, how about calligraphy?
At present, into the Artistic-Latin calligraphy world of music artists the initial big confrontation is obviously involving the “traditional way of writing”, which reproduces the various old types of writing, in addition to “interpretative, expressive method of writing”, also known as ‘contemporaneous’.
And I say ‘apparently’ because with just a little more profound evaluation we could most likely show the interpretative, expressive, creative calligraphy has its origins the ‘ancient, traditional’ means of writing. Let me clarify the reason why.
Let’s begin by analyzing the traditional calligraphy
Paleographical speaking, the design and way of writing had evolved across history into an innovative new discipline, “Calligraphy Pedagogy”.
When students face a calligraphic ‘writing piece’, which will be often the consequence of the substantial research and knowledge the Calligrapher had on originals manuscripts, they –the students- need to know the technique.
By Technique, we suggest the angle of this pen, the position for the hand, the balance associated with movement to create or re-create an outline…
1st rule is that every student of calligraphy must learn the basics of virtually every standard style and calligraphic alphabet. This subdued point makes a big distinction between a ‘copyist’ and a calligrapher.
Whenever a calligrapher develops a new piece of content, he or she is not ‘using’ a number of regarding the conventional calligraphy designs he has discovered. He could be in addition incorporating his very own personal seal, his feelings to each one of his outlines. After that, a traditional Uncial could be named after the Xxxx Xxxx’s Uncial.
The calligrapher could then switch a page, a design, an image, and one so abstract as a sound, into something ORIGINAL.
The greater the calligrapher masters the manner of standard calligraphy, the fewer frontiers she or he will have to develop. Include a little bit of curiosity to explore brand-new perspectives and creativity is unlimited.
Alternatively, when conventional calligraphy and techniques are not utilized, the calligrapher´s horizon of creativity narrows dramatically.
Let’s get today into the creative, expressive, calligraphy
If you ask me personally the reason why conventional calligraphy emerged very first, the solution is simple: i'm securely convinced that “to break a rule, it's important to know the rule”.
Quite simply, we must be ‘conscious’ that we are transforming something which features definition to exist just how it's.
When a calligrapher who masters the guidelines of traditional calligraphy decides to-break those rules by modifying the letterform into a profusion of lines or specks of color, he demonstrates a fresh significance to their calligraphic written piece.
Art could define standard calligraphy as Figurative, while imaginative, expressive calligraphy could be called Abstract.
To understand the skill of expressive, imaginative calligraphy, the calligrapher must deeply understand the principles. As Pablo Picasso stated, to-draw a bull using only four outlines, very first learn to draw the bull in full.
Imaginative, expressive calligraphy is similar to a volatile freedom of imagination… Letterform becomes the reason (or perhaps the reason) to generate some thing new, something different. Words virtually drop meaning. What matters is the general composition of artwork, particularly exactly what it has to express, to say.
Expressive, artistic calligraphy may be legible or not, this is simply not the purpose. It can be written in a language we don't realize. Or in our own language. Identity and spontaneity prevails over “text”: that IS the point.
Expressive imaginative calligraphy is not improvisation. In just about every “free” overview, is the the calligrapher just who takes control utilizing old-fashioned calligraphy techniques as his mains tools. The hand keeping the pen doesn’t go “with the wind”, it goes where musician want´s it going.
And to learn this… it's important having truly mastered old-fashioned writing.
Is it necessary to pick?
I think we don't need to choose between old-fashioned or creative calligraphy.
If we do so, we will be losing one or perhaps the various other, once we will enjoy having the satisfaction of both.
It's the calligrapher as a singer who is extemporaneous and will leave his private seal on the calligraphic piece of work.
If you have anything to choose, i favor calligraphic works that express thoughts and emotions, not merely breathtaking well-done outlines. We choose works that perhaps aren't theoretically perfect but those works which let me offer my optimum expression of this human enthusiasm.